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50万车主深陷“无人区”:车企倒闭,我的爱车谁来续命?_我的网站

一 | Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride.
In This Article
BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES
BLACK WARRANT
BEST DIRECTOR, SERIES
VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT)
BEST SERIES (CRITICS')
PAATAL LOK SEASON 2
BEST DIRECTOR: SERIES (CRITICS')
ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK)
NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
BEST ACTOR, SERIES (MALE): DRAMA
JAIDEEP AHLAWAT (PAATAL LOK SEASON 2)
BEST ACTOR (MALE), SERIES, CRITICS': DRAMA
ZAHAN KAPOOR (BLACK WARRANT)
BEST ACTOR, SERIES (FEMALE): DRAMA
MONIKA PANWAR (KHAUF)
BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA
RASIKA DUGAL (SHEKHAR HOME)
BEST COMEDY (SERIES/SPECIALS)
RAAT JAWAAN HAI (SUMEET VYAS)
BEST ACTOR, SERIES (MALE): COMEDY
BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA)
BEST ACTOR, SERIES (FEMALE): COMEDY
ANANYA PANDAY (CALL ME BAE)
BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA
RAHUL BHAT (BLACK WARRANT)
BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA
TILLOTAMA SHOME (PAATAL LOK- SEASON 2)
BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY
VINAY PATHAK (GRAM CHIKITSALAY)
BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY
RENUKA SHAHANE (DUPAHIYA)
BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)
ANGRY YOUNG MEN (NAMRATA RAO)
BEST FILM, WEB ORIGINAL
GIRLS WILL BE GIRLS
BEST DIRECTOR, WEB ORIGINAL FILM
SHUCHI TALATI (GIRLS WILL BE GIRLS)
BEST WEB ORIGINAL FILM: CRITICS'
BOMAN IRANI (THE MEHTA BOYS)
BEST ACTOR, WEB ORIGINAL FILM (MALE)
ABHISHEK BANERJEE (STOLEN)
BEST ACTOR, WEB ORIGINAL FILM (FEMALE)
SANYA MALHOTRA (MRS)
BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM
VIKRANT MASSEY (SECTOR 36)
BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM
PREETI PANIGRAHI (GIRLS WILL BE GIRLS)
BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)
DEEPAK DOBRIYAL (SECTOR 36)
BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)
KANI KUSRUTI (GIRLS WILL BE GIRLS)
BEST STORY, SERIES
SMITA SINGH (KHAUF)
SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)
BEST ORIGINAL SCREENPLAY, SERIES
SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)
BEST ADAPTED SCREENPLAY, SERIES
SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT)
BEST DIALOGUE, SERIES
ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK)
BEST CINEMATOGRAPHER, SERIES
PANKAJ KUMAR (KHAUF)
BEST PRODUCTION DESIGN, SERIES
PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT)
BEST EDITING, SERIES
TANYA CHHABRIA (KHAUF)
BEST COSTUME DESIGN, SERIES
AYESHA DASGUPTA (FREEDOM AT MIDNIGHT)
BEST BACKGROUND MUSIC, SERIES
ALOKANANDA DASGUPTA (KHAUF)
BEST VFX, SERIES
PHANTOM FX (KHAUF)
BEST SOUND DESIGN, SERIES
BIGYNA DAHAL (KHAUF)
BEST MUSIC ALBUM, SERIES
AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2)
BEST STORY (WEB ORIGINAL FILM)
KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN)
BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)
AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL)
BEST DIALOGUE (WEB ORIGINAL FILM)
VIJAY MAURYA (AGNI)
BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)
ISSHAAN GHOSH (STOLEN)
BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)
ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI)
BEST EDITING (WEB ORIGINAL FILM)
JAHAAN NOBLE (CTRL)
BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)
SNEHA KHANWALKAR (CTRL)
BEST SOUND DESIGN (WEB ORIGINAL FILM)
SUSMIT BOB NATH (STOLEN)
BEST MUSIC ALBUM (WEB ORIGINAL FILM)
JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI)
BEST DEBUT DIRECTOR, SERIES
PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)
BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES
ANURAG THAKUR (BLACK WARRANT )
BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES
LISA MISHRA (CALL ME BAE)
BEST DEBUT DIRECTOR, WEB ORIGINAL FILM
KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36)
BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM
SHUBHAM VARDHAN (STOLEN)
BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM
ARRCHITA AGARWAL (DESPATCH)
BEST SHORT FILM (PEOPLE'S CHOICE)
DIVORCE DIRECTOR: RAAGHAV KANSAL
BEST ACTOR (FEMALE), SHORT FILM
FATIMA SANA SHAIKH FILM: AYESHA
BEST ACTOR (MALE), SHORT FILM
AYAN KHAN FILM: CHASHMA
BEST SHORT FILM (FICTION)
AYESHA DIRECTOR: NIHIT BHAVE
BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)
LANGUR DIRECTOR: HAIDER KHAN
BEST DIRECTOR, SHORT FILM
RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。

二 | 找4S店工作人员,对方说“三电质保作废”,这可把车主整绝望了,难道23万买了一个“电动骨灰盒”吗?而对方的解释是,“电池厂家现在不愿意给电池走质保,因为哪吒欠了他们1亿多的款没有付。”
据不完全统计,近五年陷入经营困境的威马、高合、爱驰、极越、哪吒等车企,已累计产生50万"孤儿车"。这些车主不仅要面对维修配件断供、4S店关停的困境,更要承受车辆随时断网的风险。走在路上,你可能看到威马车主的尾部贴纸:“别碰我,修车没件”,或者极越车主用“绝版车,修车巨贵,请勿靠近”的贴条。如果你觉得荒诞,这正是智能电动汽车时代的黑色幽默。
三 |
全联经销商商会常务会长李金勇在与沟通时表示,“目前现状是没有任何保障的。按照三包法规定——“谁销售谁负责”,但在现实操作中,如果配件断供,经销商即使被诉讼,也无力为车主解决实际的维修难题。” 面对这样的情况,这些“孤儿车”车主的权益到底该如何保障呢?智能电动汽车成长的烦恼近年来,中国智能电动汽车蓬勃发展,但售后服务保障却成为令人担忧的短板。“APP断网”“售后维艰”不是哪吒一家独有的问题,而是造车新势力赛道的普遍现象。哪吒汽车2024年销量暴跌50%,工厂停摆,累计亏损超180亿元。
四 | 2025年年初开始,哪吒官网和车机系统名义上“维护升级”,但短短几个月多次发生系统性、区域性断网。
其实根本原因很直白——资金紧张导致服务器、云端维护不到位,这点在很多新势力品牌里不是秘密。为何经营困难的品牌售后那么艰难呢?“一旦车企破产,相关资产分配有严格的优先顺序——职工工资、抵押债权具有天然的优先受偿顺序,排到车主售后权利时,钱已所剩无几。
五 | 你能诉讼维权吗?可以,但难度极高。”乾成律师事务所塔拉律师对解释道。
更早之前,多位威马汽车车主感觉自己的车辆成为“孤儿车”,先是车机系统无法加载,处于暂停服务状态,之后,手机蓝牙钥匙“小威随行”也随之瘫痪。这意味着这些倒闭品牌的车型在一轮又一轮的“苹果新品”面前,将彻底沦为“诺基亚”,就连时不时出现的软件BUG也再没人来修补了。如果打开公开投诉网站,搜索“汽车无法联网”,显示出来的结果更是高达七千多条,覆盖众多品牌。这不光出现在经营困难的品牌,还有一部分出现在2021年以前上市的车型中。实际上,许多车联网基础功能,本就是基于3G网络的。
六 | 最近两年运营商逐步撤了3G,很多2021年以前的车机系统、导航、远程控制、状态监测这类功能立马瘫痪。
所以也有消费者投诉,3G撤网应由厂家与运营商沟通解决,而不应由车主买单。厂家应免费为受影响的车辆升级或更换相关设备。
七 | 但新能源汽车配件价格基本被厂家垄断,差价小,一般的维修厂何必搞这些呢,还要担风险。”
如果是倒闭品牌的车型,市场没有流通的库存件怎么办,王师傅就会建议他们从事故车或报废车上自行寻找拆卸件,之前威马车主就是这么做的。也遇到过一位跑网约车的威马车主。品牌倒了,他天天只能自己淘配件、修车、倒腾系统,还成了微信群里的“售后大神”,帮别人捣鼓解决问题。现在他使用的车控APP是由其他车主开发的“越狱版”小威随行。这些自学成才的高手,其实实属无奈中的自救典范。行业法规上,《汽车销售管理办法》明确写着“保证停产后10年配件供应及售后”。但实际操作中,只要车企一倒,经销体系很快人去楼空,法规瞬间沦为空文。
八 |

九 |
以电池为例,如果这款电池是由A厂商提供,那么理论上,这个电池具备可追溯性。电池在出现故障后,本应按照流程由整车厂向电池厂索赔,电池厂再向上游供应商索赔。李金勇指出,现实中,如果供应商由于被拖欠货款而拒绝承担责任,最终车主便很难获得有效赔偿。对此,可以考虑设立第三方机构作为协调和保障方,比如由商会或政府相关部门牵头,专门负责解决此类遗留问题。"不过,实际操作起来也非常难,因为这会带来一些零部件厂商的倒闭,这也是为何李金勇在开篇称这个问题无解的原因,毕竟倒闭的厂商基本是弱势的零配件厂家在给他供货。也有专家建议应当要求车企为每辆车配备售后保障基金,以应对破产后维护零部件的供应问题,但实际情况,仍然需要政策引导、资金支持以及车企自身的配合才能真正落地。李金勇也对保障基金的方式存有顾虑。“关于‘存款准备金’的设想,现实操作中其实难以落地。很多车企本身就缺乏资金,更不可能在倒闭前额外拿出一笔钱作为准备金。即便设立了准备金,也面临实际分配和使用的问题:这笔钱到底该归谁支配?资金用途如何监管?此外,由于车企往往拖欠零配件供应商的大笔货款,导致供应商无力、也无意持续提供配件和服务。”里斯战略合伙人何松松表示,购车之后的售后服务保障以及零部件供应都非常重要。有责任、有规模的企业,理应带头做好表率,成为行业的引领者,甚至推动行业标准的建立,引领行业健康发展。而师建华的观点是,如果一个品牌或者公司不再运营,应该有一套完整的退出机制,有其他企业来承接它的售后服务,而不是仅靠指定企业来承担后续责任。因为如果接手的企业既没有获得相应利益,也缺乏配套资源,是难以保障售后服务质量的。这一点在极越车主源源不断的维权案例中展现得淋漓尽致。
十 | 这也印证了专家的预判:没有法律强制的兜底承诺,终将陷入"承诺响亮、执行疲软"的恶性循环。
塔拉律师也提醒,即便第三方企业法律上承接售后职能,实际能否落实,还依赖利益驱动和完善沟通,车主需利用消费者协会、市场监管局等多渠道反馈,政策层面需制定更细致的监控和考核标准,避免落实流于形式。
十一 |
实际上,车企停摆也并不是新鲜事,早期美国也有一两百个品牌,但今天也就剩十来个。何松松认为,欧美国家是怎么完善、制定政策,有序的退出,来引导市场有序发展,这也值得我们去研究和学习。买卖之间的决断与自救很多车主关心:如果自己不幸成为“孤儿车”一员,怎么办?在与多位专家沟通后,得出的结论是——面对配件断供、售后服务瘫痪,法律的手段虽然存在,但执行成本高,胜诉后零配件依旧难寻,无异于“赢了官司输了车”。多位专家总结,有几条底线必须牢牢记住:一、优先选市场份额大、母公司实力强的品牌,例如单一车型10万台保有量、品牌50万以上的车企。3-5年内的倒闭风险较小,选购这类车企旗下产品就相对比较保险。
十二 |
二、车主在购车时应仔细核对商家的质保服务承诺,因为很多质保千万条只是营销话术,实操时会设定十分苛刻的触发条件。
十三 |
三、遇到企业异常、配件紧张迹象,宁可早点低价抛售。今年3月,一位上海车主小吴将开了不到8个月的哪吒U卖了,在他看来,尽管亏损了一半还多,但长痛不如短痛,趁企业还在运营,赶紧出手。毕竟,威马、高合等品牌退场后,其二手车因零部件断供、售后体系崩塌,残值率暴跌至不足原10%,甚至出现“白送无人接”的窘境。如今看来,这是他最好的选择。
十四 |
四、若有第三方保险承保售后维修服务,那是加分项。
十五 |
当然,如果零配件断供,世界上任何保险都无能为力。塔拉也表示,目前,我们正在行业内部呼吁并建议国家政策层面能够采取更有效的前置措施,例如通过制定相关法规或提供前置服务,帮助消费者在购买时更好地预见并规避未来可能遇到的售后难题。希望政策更有力,企业更守信,行业更自律。
十六 | 让智能电动汽车,不再让人恐惧。(文/ 彭斐)

十七 |
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